This is the second film Director Benson Lee and I've collaborated on, our first being the dark and brooding 1999 Sundance Film Festival Special Jury prize winner Miss Monday.

Interestingly enough I was surprised to have found myself composing the score for this at all.  Given my more rock/classical background and efforts to fuse those genres I wouldn't normally be associated with hip hop, and in particular B-Boy hip hop.  In this case however, I was given a great deal of freedom to experiment and what ended up as the signature sound, if you will, of the score was the electric guitar (slightly distorted) playing the theme in various ways from straight up one note muted palm vibes to delicate harmonics.